Instead, the DAW’s soundcard takes over the duties of recording and all editing is done within the soft sampler. The tactile instant sample and trigger thinking cannot be applied to soft samplers as they do not have a front end for recording samples.
#PROPELLERHEAD RECYCLE PRODUCER SOFTWARE#
But some people like to work exclusively ITB (in the box) and software manufacturers have been quick to capitalise on this by creating seriously powerful software for us budding songwriters and producers to use and one area that has seen a migration from hardware to software is that of the soft sampler.Ī soft sampler is simply a software-based sampler. Hardware samplers are still the rage and most of today’s hardware samplers have a front end for playback and triggering and a backend that is software-driven for editing and processing. DAWs have replaced workstations, hardware sequencers, and samplers. Nowadays we do not have any of those constraints as we predominantly work in the virtual domain. However, sampling and processing technology was still in its infancy and users were constrained with limited sample memory and basic processing tools. In effect, they were used as instruments. In the days of spandex and big hair, hardware samplers were used not only to sample but to trigger the samples in a musical context. Sound designers and producers still sample and process using hardware samplers as the interactive process is both fun and quite intuitive. Layering drum sounds in a hardware sampler is the traditional approach to layering drum samples and it has stood the test of time for decades. These can then be imported into any cell/pad based soft-sampler and triggered via the cells/pads.įor this tutorial, we will be using Native Instruments Battery but first, let’s have a foray into what a soft-sampler is. Once the loop or sample has been processed into individual slices the slices can then be saved as MIDI data and exported as either a whole audio file or individual segments/slices into the REX (Propellerheads extension) format. Pitch scaling or pitch shifting is the reverse: the process of changing the pitch without affecting the speed. Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Using Recycle REX Files and Constructing New Beats video tutorial delved deeply into the subject of time stretching and pitching.
#PROPELLERHEAD RECYCLE PRODUCER PLUS#
Recycle also provides a time-stretching function which helps greatly in manipulating samples to fit to a required tempo without altering the pitch, plus a host of other editing tools including the much-valued BPM detection tool which is useful in detecting the tempo/BPM of a given sample. Recycle uses the same principles as Hitpoints/Slices by detecting peak values using a sensitivity function and once it has analysed the audio it will create slices (segments) based on the peak values it found which can then be processed in isolation or globally. The process entails importing a sample or loop into Recycle which is then sliced/chopped into smaller segments which can then be edited to taste and exported for use in the DAW or any software that can import samples.
One of the industry tools used to manipulate samples is Propellerheads Recycle. They will sample anything and everything and then edit the samples to use in their own compositions. Using Recycle REX Files and Constructing New Beats is a video tutorial that explains hot to import REX files into a project and reconstruct them into new drum breaks.īeat producers love to sample.
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